|
|
||||||||||
|
|
Petr
A. Bilek
|
||||||||||
|
|
|||||||||||
|
(The Semiotics of the Image of Prague in Literature, Arts, Mass Culture, and Media) THREE HOURS PER WEEK The course is designed on the inter-disciplinary pattern that should incorporate the metamorphoses of the image of Prague through different decades as well as through the distinct media that this image has been articulated. The core of the course will be based on interpretation of the image of Prague in the 19th and 20th century and Czech, German, and Jewish literatures. The relations between the image of Prague and the issues of identity in fiction (national, local, social, religious, personal) are also examined. To offer a broader point of view, the study of the presentation and representation of Prague in painting, film, photography, music, videos, postcards, and commercials will accompany the interpretation of the images of Prague in literature. Some sociological as well as architectural and urban studies phenomena (e. g. symbolic semiotics of the cemeteries, cultural monuments, and places connected with literature and arts) will also be addressed. Several walks through Prague and field trips guided by the instructor of the course are incorporated into the design of the class. |
|||||||||||
| Course requirements: |
|||||||||||
|
Reading: 200 - 250 pages per week. Writing: Mid-Term Paper (6 - 8 pages) and Final Paper (8 - 10 pages) Grading: Attendance and active class participation (30%), Mid-Term paper (30%), Final paper (40%). |
|||||||||||
| Week
1 |
|||||||||||
|
Introduction: SUGGESTED READING: |
|||||||||||
| Week
2 |
|||||||||||
|
Building Up and Re-Shaping of the Memory: The Past and Its Incorporation into the Present of Prague (Vertical Point of View: Monuments, Towers, Hills, Basements) REQUIRED READING: |
|||||||||||
| Week
3 |
|||||||||||
|
The City as a Closed Space: Xenophobia as a Natural Aspect of the 19th Century Identification (Horizontal Point of View: Walls, Gates, Borders) REQUIRED READING: SUGGESTED READING: |
|||||||||||
|
Week
4 |
|||||||||||
|
Personification of the City as the First Step to Its Modernist Perception REQUIRED READING: SUGGESTED READING: |
|||||||||||
| Week 5 | |||||||||||
|
Old City Center as a Labyrinth and as a Keeper of Truth REQUIRED READING SUGGESTED READING:
Milada Vilimkova: The Prague Ghetto. Prague, 1993, p. 81-102 |
|||||||||||
| Week
6 7 |
|||||||||||
|
Emptification of the City as a Reflection of Loosing One's Identity: From Joseph K., the banker, to the Current Realm of Banks in the Center of Prague REQUIRED READING: SUGGESTED READING: |
|||||||||||
|
Week
8 |
|||||||||||
|
Modern City as a Utopian Nightmare: Radical Change and Erasure and Their Impact Upon the Image of Prague REQUIRED READING: |
|||||||||||
| Week
9 |
|||||||||||
|
Alientation, Dezintegration, and Integration as Behavior Models for Living in a City REQUIRED READING: |
|||||||||||
|
Week
10 |
|||||||||||
|
From Kafka's World to Holocaust, from Being Lost in a City to Being Caught in a City REQUIRED READING: |
|||||||||||
| Week
11 |
|||||||||||
|
|
Vertical Hierarchization of a City Under Communist Regime: In-Between of a Hidden World of a Basement and the Underworld REQUIRED READING: |
||||||||||
| Week
12 |
|||||||||||
|
Horizontal Division of the Totalitarian World: The Center and the Periphery REQUIRED READING: |
|||||||||||
| Week
13 |
|||||||||||
|
Mediating Prague for Western Audience: From Kafka's Prague to Kafka on a T-Shirt REQUIRED READING: |
|||||||||||
| Week
14 |
|||||||||||
|
Postmodern Prague and Its Polyphonic Image REQUIRED READING: |
|||||||||||
| Week
15 |
|||||||||||
| Schedule reserve | |||||||||||
|
|
|
||||||||||
|
|
|
||||||||||
![]() |
|||||||||||
|
|
|||||||||||